NEW YORK, NY, January 10, 2019 /24-7PressRelease/ -- Marquis Who's Who, the world's premier publisher of biographical profiles, is proud to present Adeena M. Karasick, PhD, with the Albert Nelson Marquis Lifetime Achievement Award. An accomplished listee, Dr. Karasick celebrates many years' experience in her professional network, and has been noted for achievements, leadership qualities, and the credentials and successes she has accrued in her field. As in all Marquis Who's Who biographical volumes, individuals profiled are selected on the basis of current reference value. Factors such as position, noteworthy accomplishments, visibility, and prominence in a field are all taken into account during the selection process.
Dr. Karasick is an internationally renowned New York based writer, poet, performer, cultural theorist and media artist who was born in Canada. Lecturing worldwide and teaching literature and critical theory as a professor in the Department of Humanities and Media Studies at Pratt Institute in Brooklyn, New York, since 2014, her three decades of academic experience include former appointments at Fordham University in New York, St. John's University in New York, the Borough of Manhattan Community College of the City University of New York and York University in Canada, as well as a visiting professorship at the Johannes Gutenberg University Mainz in Germany.
The distinguished author of 11 books of poetry and poetics, Dr. Karasick's most recent publications include "Checking In" (Talonbooks, 2018), "Salomè: Donna di Valore" (University of Padova Press, 2017), and "This Poem" (Talonbooks, 2014). Notably, her book, "The House That Hijack Built" received a Canadian Department of Foreign Affairs and International Trade Award in 2005, "Dyssemia Sleaze" was honored with a Bumbershoot Festival Award for Most Adventurous Publication, and both "Amuse Bouche: Tasty Threats for the Mouth" (2009) and "This Poem" (2017) won International Best Book Awards. Additionally, she was the recipient of the Andrew W. Mellon Foundation Award in 2017 and 2018, the Voce Donna Italia Award for her contributions to feminist thinking in 2016 and a Professional Writers Award from the Canada Council of the Arts in 2010, 2012 and 2016. She received a 2009 Department of Foreign Affairs, Trade and Development Act travel grant to Paris and Canada, as well as awards to perform through India, London, Las Vegas, Florida, Minnesota, and Romania. In 2008, she was endowed with the MPS Mobile Award for being the world's first mobile poet. Dr. Karasick has been included in the eighth edition of Who's Who in American Education and the 25th through 28th editions of Who's Who of American Women.
Dr. Karasick's books are known for having an urban, feminist aesthetic, which is infused with a collage of academic and pop cultural idioms. Her urban, Jewish feminist mashups have been described as "electricity in language" by Nicole Brossard and noted for their "cross-fertilization of punning and knowing, theatre and theory" by Charles Bernstein. Her books have been received as both poetry and hybrid-genre essays on writing and interpretive technologies and have been used by both English and Media Studies departments in colleges across the United States and abroad.
Receiving much critical acclaim and international media attention over the years for her work, Dr. Karasick has been featured in more than 80 interviews on European, U.S., Canadian and Indian television and radio as well as South Asian, European, Canadian and United States press. Her work has also been featured in a wide variety of national and international journals and anthologies, literary magazines and blog sites and "inserts itself amongst the corpus of texts that are changing, and being changed by, contemporary pedagogies" (Canadian Literature); "proto-ecstatic jet-propulsive word torsion" that "jolt[s] us from zoning out in our comfort zones, challenging our notion of what poetry is, or could be" (Tablet). Said of her most recent book, "Checking In", "weaving together pop culture, literary references, philosophy [and] mysticism, [Karasick exposes] how poetry at its core is a mystical endeavor [and] with the web of language…holds our consciousness. "Checking In" emerges as "a dreadful astute comment on the nature of political treaties and the Halloween-esque freak show that surrounds international politics" (Jake Marmer).
Her Spoken-Word opera, Salomé: Woman of Valor, which re-visions the apocryphal figure of Salomé through a feminist Jewish lens (merging poetry, history, theory, visual projections, modern dance and live music drawing from Klezmer bhangra and jazz traditions composed by Grammy Award winner, Frank London), has been the subject of numerous reviews and university curricula. After a series of wildly receptive sold out preview presentations (at The Tribeca New Music Festival, DROM, Pratt Institute and at The Stone), the famed opera debuted in Canada at the Chutzpah! Festival in Vancouver, Spring 2018, at The Ashkenaz Festival in Toronto, Sept. 2018 and at the Oberon Theater in Boston, March 2019. The libretto has received tremendous international recognition (translated into Italian (by Pina Piccolo and Serena Piccolo), published in Italy by University of Padova Press, 2017) and also an English-only Limited edition Artist Book with Gap Riot Press in Toronto, 2018; and sections have been translated in to Bengali, German, Arabic, Czech and Yiddish; (the Bengali translation will be launched at the Kolkata Book Fair, February, 2019 in a collection entitled, Bridgeable Lines: An Anthology of Borderless World Poetry in Bengali. According to Intricate Thicket: Reading Late Modernist Poetries.
Karasick's Salomé has been described as "the 'dance of the intellect among words'. One long dithyramb of desire, a seven-veiled dance of seduction that celebrates the tangles, convolutions, and ecstacies of unbridled sexuality….Not so much by talking about desire as by demonstrating how desire flows through language, an unstoppable flood of allusion (both literary and pop-cultural), word-play, and extravagant and outrageous sound-work." (Plume)
Her extensive research exposes how Salomé has been serially mis-represented and re-inserts her back into her rightful place in history. Re-translating the anti-semitic myth to one of female empowerment, where she is not a victim but a revolutionary and all swirls in a world of conflictual socio-political, erotic and aesthetic transgression. Incorporating contemporary sound poetry, Midrash, 13th C. Kabbalistic references, pop culture and homophonic translations, it shows how disruptions of form and content can lead to new ways of seeing; reminding us how there is never one story be told– and allowing the unvoiced be celebrated and heard; how history is not something static but how myths, stories, legends are multiperspectively received and continually reshaped – ironically exposing how both "fact" and "fiction" come from the Latin, "to make" and "to shape."
Stemming from an ethnic heritage of nomadicism, exile, and infusion, Karasick remains dedicated to extending the notion of the book – whether through hybrid-style essays which include full-color mash-ups and collage, a variety of typefaces and multiple covers, or through new technologies which combine, multi-media, enriched graphics; or text based performances, incorporating visual projections and electronic music; exploring ways language, as both a physical and material object and as medium of transference can be brought into a public space highlighting interactive creativity.
In this last year alone, she has given over 60 public lectures and performances, throughout Canada, US, France, Italy, Prague, Italy, Morocco and India – performing both with her band and a capella: in Padova, Cesena, Venice: at the Poetry and Sister Arts International Festival / Festival internazionalee di poesia e arti sorelle, Cesena FC, Italia, at the Awards Ceremony Poetry Reading and Best Literary Criticism Award ceremony (LILEC – Dipartimento di Lingue, Letterature e Culture Moderne, University of Bologna, at the Museo Ebraico di Padua / Jewish Museum of Padova, at the Museo Ebraico di Venezia / Jewish Museum of Venice, Campo di Ghetto Novo in Venice, and at the Centro di Poesia Contemporanea dell'Università di Bologna / Verse 61, in Bologna, Italy; in New York at The Players Club for The Institute of General Semantics and Media Ecology Association, and at Jingle Belles / Local Knowledge Party, Swift Hibernian Lounge; in Marrakech at the Festival of the Prose Poem, Al Hamra Center for Culture and Thought. Marrakesh, Morocco; at the DIGITAL EngAGEment conference at Brooklyn College hosted by the Dept. of Radio and Television; at the Subterranean 27th Annual Subterranean Poetry Festival, The Widow Jane Mine in Rosendale NY; KlezKanada Festival of Jewish Music and Culture in Lantier Quebec, the 2017 and 2018 Boston Poetry Marathon, in Cambridge, Mass, at the 25th Anniversary for the Association for Jewish Studies conference and in India at the National Academy of Letters at Sahitya Akademi Conference Hall, University of New Delhi; at Jadavpur University as part of Forum on Identity, Border and Nation, Prayukti Bhawan in Jadavpur, Kolkata; the Lions Club Auditorium, Deshopriya Park, Kolkata, India and Kolkata Nandan, West Bengal Film Center, for Baschimbanga Kobita Akademi sponsored by the Government of West Bengal, Kolkata, in honor of her contributions to Post-Colonial Literature, (and at Simon Fraser University at the Bennet Library, Special Collections, to celebrate the acquisition of her archive, with a full display of the 27 boxes of materials.
In addition to her career as both an educator and writer, Dr. Karasick has been an active multimedia art practitioner who has created and directed word-acclaimed video poems and pechakuchas that have been featured at festivals, conferences, classrooms and screens worldwide. These cross-genre performances, books, videos and pechakuchas have established her as a powerful force in Canadian and American Literature. According to Book Expo America, recognizing her as being "the future of E-Books." (Kathleen Sweeney); she [is] opening up the possibilities for re-visioning language as a performance, as theatre, and how that language, with all its power and sublimity, its (in)finite permutation and combination, is inseparable from our lives.
Dr. Karasick is a longtime member of the Writers' Union of Canada, the League of Canadian Poets, the Association of Writers & Writing Programs, the Modern Language Association, the Association for Jewish Studies and the Media Ecology Association, among multiple other professional societies. She notably served as founding co-editor of Anerca / com.post: Journal of Avant-Garde Poetry and Poetics (1985-1989) and since 2015 has been serving as Poetry Editor for Explorations in Media Ecology, an international journal dedicated to extending our understanding of media and media environments through diverse theoretical (philosophical, aesthetic, literary, historical, psychological, sociological, anthropological, political, economic, scientific) and methodological approaches.
Dr. Karasick grew up in Vancouver, British Columbia, studied with Warren Tallman at the University of British Columbia in Vancouver, Canada, where she earned a Bachelor of English in 1988. Relocating to Toronto, she began working with famed feminist theorist and semiotician, Barbara Godard, performing with various poets including internationally acclaimed concrete and sound artists bill bissett and bpNichol. After completing a Masters of Arts at York University in Literature and Critical Theory in 1990, she earned a Doctor of Philosophy in Kabbalistic Hermeneutics, Feminist Theory and Deconstruction, at Concordia University in Montreal, Canada in 1997. Her Ph.D dissertation, "Of Poetik Thinking: A 'Pataphysical Investigation of Cixous, Derrida and the Kabbalah" resulted in a close friendship with Jacques Derrida, establishing Dr. Karasick as "the Kabbalah Kohenet (High Priestess), morah (teacher) and scholar of Kabbalah" (Kabbalah Fractals Project). For more information, visit www.adeenakarasick.com.
In recognition of outstanding contributions to her profession and the Marquis Who's Who community, Adeena M. Karasick, Ph.D., has been featured on the Albert Nelson Marquis Lifetime Achievement website. Please visit www.ltachievers.com for more information about this honor.
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